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Artist's Comments
This is the 2nd version of this object. I'd love to get some feedback which of these versions works better? The 1st being "Macro Time" Thanks!
IMPORTANT! © COPYRIGHT TDIGUY.PHOTO@GMAIL.COM The work contained in my gallery is copyrighted©2007-2009 TDIGUY.PHOTO@GMAIL.COM . All rights reserved.My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain. Daily DeviationGiven 2009-04-01It's Macro Time Again by ~tdiguy - Such sharp detail, an excellent example of Macro. (Featured by `dandelgrosso) |
Details
March 9
5.0 MB 220 KB 900×682 StatisticsCamera Data
NIKON CORPORATION
NIKON D80 5/10 second F/11.0 60 mm 100 Mar 8, 2009, 12:24:29 PM Share
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Comments
Both versions "work" fine, it simply depends on what you're trying to convey/lead you viewer.
This one is the more detailed and intricate of the two and it's possible that a casual viewer would actually miss the misplaced and backward "3."
Your other shot is the antithesis of this (although they are very similar) insofar as having your limited depth of field "tell' the viewer exactly where to focus their attention and what to look for.
Ultimately, whichever way you decide to present this concept is strictly up to your own interpretation of what you're trying to sell to the viewer's brain and eye.
Either way. Great shots.
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Success does not occur by spontaneous combustion; you must set yourself on fire.
You had your bases well covered either way. Both are GREAT shots.
However, like the original "Dirty Harry" film line: I GOTS TA KNOW...
Which shot did *you* choose to convey what you ultimately wanted to say?
(I'm guessing the narrow depth of field shot. Don't spare my feelings if I'm wrong.)
Cheers!
Thanks for taking the time to write.
Regards
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Success does not occur by spontaneous combustion; you must set yourself on fire.
I think the overall tone of the image, the composition and the detail are all points that speak for this piece.
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Photography is all about the light, the subject just happens to get in the way
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